Checking [Change Audio Format] changes the audio format so it is exported with the below-described items. Select the number of channels from the list. If the selected number of channels is fewer than the project setting, the channels will be exported in order from 1ch. Select [2ch] to export a multi-channel project to be used with software of another company.
Select an audio quantization bitrate from the list. Select [16bit] to export a multi-channel project to be used with software of another company. Check this item to create waveform cache waveform representation of audio. This can be set when a compatible exporter is selected. Check this item to export with ancillary data including closed captions retained. If the frame size, after the frame rate or aspect ratio is corrected, is different from the project settings, ancillary data will be deleted.
Check this item to export with the audio bitstream retained. If the frame size after the frame rate or aspect ratio is corrected is different from the project settings, audio bitstream will be deleted. For the items in the list of the aspect ratio conversion setting to be set in the [Print to File] Detailed Settings dialog box, what follows are example descriptions of converting a screen to a screen, and a screen to a screen.
The screen is displayed in the center of a screen, and a letter box effect is added above and below. The screen is displayed in the center of a screen, and side panels are added at the edges. The left and right sides of the screen are cropped to fit the screen to a screen size.
The top and bottom parts of the screen are cropped to fit the screen to a screen size. The screen is compressed horizontally to fit a screen size. The frame aspect ratio is not conserved.
The screen is stretched horizontally to fit a screen size. The screen is cropped to a or screen size, displayed in the center of a screen and a letter box effect is added above and below. The screen is cropped to a or screen size, displayed in the center of a screen and side panels are added at the edges. The compression format can be selected to export a project as an AVI file. If the [WindowsMediaAudio] exporter has been selected, select the transfer mode.
If [CBR] fixed transfer mode has been selected, select a bitrate from the [Bitrate] list. If [VBR quality based ] variable transfer mode has been selected, select a bitrate from the [Quality] list.
Output channels are assigned to the front left L , front right R , front center C , LFE, rear left Ls , and rear right Rs , in the order of the smallest channel number. Channels that are not used will be skipped. When the single rear S is to be used, the rear left Ls is assigned. The items where the number of channels exceeds the audio channels in the project setting cannot be selected. Check this item to export including LFE channel. For Dolby Digital Professional, it cannot be set.
Select a value to downmix the center channel when the playback device does not have the center channel and stereo playback is to be performed. Selecting [-INF dB] deletes the center channel. Select a value to downmix the surround channel when the playback device does not have the surround channel and stereo playback is to be performed.
Selecting [-INF dB] deletes the surround channel. Specify the peak sound pressure level SPL in the environment where the final mixing has been performed such as a studio or dubbing stage. Select from [ dB] to [80 dB]. Specify the average audio level of the bitstream. Specifying this value enables playback of multiple audio with the same level on the playback device. Select from [ dB] to [-1 dB]. The difference between the selected value and 31 dB is the attenuation when the audio is played back on a playback device.
Select the audio level [ dB] from the edited file. Specify the information on the environment where the final mixing has been performed such as a studio or dubbing stage. Specify the dynamic range compression settings. To use [Dynamic range control profile], configure [Dialog Normalization] properly. Check this item to enable the low-pass filter of the LFE channel and to filter audio of Hz or higher. Check this item to output in Dolby surround compatible audio when downmix playback of multi-channel audio is performed on a 2-channel decoder.
Check this item to decrease the surround channel by 3 dB when home theater equipment compatible with multi-channel is used. See the QuickTime player help for more information on the detailed settings for each file export. Set the profile. The selectable profiles will differ dependent on the frame size to be exported. Although noise, etc. Compared with [CBR], the media volume can be used more efficiently, and this enables more consistent image quality overall.
You can either select from the list or enter values directly. Set this item if [VBR] has been selected as the bitrate type. Set this item if [Quality] has been selected as the bitrate type. Select the image quality from the list. Check this item to export using hardware encoding such as Quick Sync Video.
It is not displayed when hardware encoding cannot be used. Set up to how many frames to consider when motion estimation is performed. Check this item to divide 1 frame into 4 parts. If the decoder supports multi-slicing, the decoding may be made quicker. Select the unit of division for the motion estimation block from the list. Select one of [H. Exporting to a BD Output Format. The setting items displayed may differ in part depending on the exporter.
Select quality from the list. The higher the quality, the more time it takes to be encoded. Select a bitrate from the [Average bps ] list. You can also enter a value directly. Select a bitrate from the [Average bps ] and [Maximum bps ] lists. If there is a large difference between the left and right audio, compared to stereo that saves audio with a greater focus on one side, [Dual Channel] records totally independently so that there is no bias in sound quality to one side.
Select to enter narration in 2 languages, etc. If [Chroma Format] is [] and [], the profile will be set to Main Profile and Profile, respectively. The I frame allows images to be reproduced independently, the P frame is for recording and reproducing only the differences with the preceding image, and the B frame reproduces images from the differences in the preceding and following images.
Normally, select [IBBP]. Editing is made easier, but the amount of data increases in size. Check this item to complete information within each GOP. Although the amount of data increases, the video can be re-edited using software that supports GOP-based editing. Normally, leave this item unchecked. Select from the list for high-frequency compensation that saves while emphasizing the high range.
With [None], there is no high-frequency compensation. Export all frames between In and Out points on the timeline as still image files. Change the aspect ratio correction or export field settings. The settings for [Still Image] in [System Settings] will be the initial values. If a number is not added at the end of the file name, an 8-digit sequential number will be added automatically.
Check this item to export sequence markers as cue points for Flash. Select the name of the type of cue point. This is reflected in the [Metadata] setting. If you click [Settings], you can set the encoding and change the video size, etc. A file can be exported to any desired save destination.
If exporting to removable media, make sure to connect the SD memory card or memory stick to the PC before export. If you want to edit a menu, etc. When exporting to the internal hard disk, internal memory or removable disk of an AVCHD camera for playback on the AVCHD camera, you may be unable to perform the export or playback depending on the camera.
Depending on the type of save destination, a warning message may be displayed saying that data will become unrecognizable. Be sure to create a backup before export, as required.
The SD memory card or memory stick connected to the PC will be recognized as an external drive. MTS files onto the utility's desktop shortcut, or right-click the file and choose the appropriate option. The converter can be configured to use multiple CPU cores for encoding a single file in a queue, or parallel encoding of mutliple files in a queue with individual CPU cores. Setting field order of exported file. Setting field order and aspect ratio while importing.
Footage size conversion option. Improve quality of footage size conversion. Previewer unexpectedly quits if loading a file which has an audio much longer than video duration. Viewfinder LDX 2 Inch. Viewfinder LDX 7 Inch. Viewfinder VFH. Focus Focus Live Base Unit. Focus Live Camera Head. Focus Live Fiber Adapter. Focus Live Triax Adapter.
LDX LDX C Camera Utilities.
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